曰韩免费_91久久精品国产亚洲_一区二区成人影院_九一视频在线免费观看_91国视频_亚洲成人中文在线

SAT阅读材料:A Brief History of Western Music

雕龙文库 分享 时间: 收藏本文

SAT阅读材料:A Brief History of Western Music

  SAT阅读考题重点考察考生的美国大学教材的快速阅读能力、理解能力及判断能力。SAT阅读除了检测考生的词汇量外,还要考察考生的理解及判断的综合能力。下面来看一篇阅读材料:A Brief History of Western Music。

  Western music is generally broken down into six periods. Each of these periods have certain characteristics which have shaped it and remained with it throughout its duration. However, lesser characteristics may change within any given period, and so you have works which fall into, say, the early Romantic period as opposed to the late Romantic.

  The Medieval Period

  Prior to about 900, nearly all the music we have any record of is a simple, one line structure called a plainchant. This was made up of one melodic line sung in unison by everybody. More complex music existed, but as it was secular and not sacred, we have very few, if any, written accounts of it.

  Gradually, over the next 500 years, people began to expand on this simple structure by adding voices. At first, these voices sung a fixed interval1 above or below the original line. This was called an organum.

  At some point, someone got the idea of having two different lines moving at the same time but not having a fixed interval. Usually the higher of these lines would be fairly florid, while the lower was a slower, pre-existing plainchant2.

  By 1300, three and four voice compositions were being written. These works are referred to as polyphonic , to distinguish them from the monophony of the simple plainchant.

  The Renaissance

  By 1400 or shortly thereafter, several composers were writing polyphony in a slightly different way. Instead of using a slower bottom voice and faster upper voices, they made all voices equal in rhythmic variety. And instead of using four different chants, they used a single chant which was stated in each of the voices, upon their entrance, and the developed differently from one voice to the next. This led to a more unified sounding work, and gave rise to a number of contrapuntal forms, such as the Canon , the Canzon , and the Fugue .

  Most of the development during this period was made in Italy. This is only natural as the Catholic church was the dominant force during this period, and was headquartered in Rome. Many of the best musicians wrote masses and other works for the church; nearly all of these works are in Latin, as this was the language used for services at the time. However, with the Reformation and rise of Protestantism in the latter half of the 16th Century, the nature of music had to change.

  The Baroque Period

  One of the major changes in daily life around 1600 was the switch from the Catholic church to various Protestant religion4. The result of this change was that the language of the services switched from Latin to German. Because most people had not spoken Latin, the masses could be as ornate as the composer desired. But if the language was understandable by the majority of the people, the music should be simple enough that they could understand the words. As a result, the Catholic Latin mass was no longer needed, but new German services were. New hymns were written to provide music for these services. These were primarily homophonic in nature, contrasting with the polyphony that continued in instrumental and Latin works.

  每一篇文章均有其主要观点或中心主题。典型的围绕文章主要观点的问题大多是:在这篇文章中作者的主要目的是什么?这篇文章主要涉及什么问题?这篇文章主要建议是什么?这篇文章总体上想要回答什么问题等。读完每一篇素材,我们都要针对文章想想这几个问题。

  

  SAT阅读考题重点考察考生的美国大学教材的快速阅读能力、理解能力及判断能力。SAT阅读除了检测考生的词汇量外,还要考察考生的理解及判断的综合能力。下面来看一篇阅读材料:A Brief History of Western Music。

  Western music is generally broken down into six periods. Each of these periods have certain characteristics which have shaped it and remained with it throughout its duration. However, lesser characteristics may change within any given period, and so you have works which fall into, say, the early Romantic period as opposed to the late Romantic.

  The Medieval Period

  Prior to about 900, nearly all the music we have any record of is a simple, one line structure called a plainchant. This was made up of one melodic line sung in unison by everybody. More complex music existed, but as it was secular and not sacred, we have very few, if any, written accounts of it.

  Gradually, over the next 500 years, people began to expand on this simple structure by adding voices. At first, these voices sung a fixed interval1 above or below the original line. This was called an organum.

  At some point, someone got the idea of having two different lines moving at the same time but not having a fixed interval. Usually the higher of these lines would be fairly florid, while the lower was a slower, pre-existing plainchant2.

  By 1300, three and four voice compositions were being written. These works are referred to as polyphonic , to distinguish them from the monophony of the simple plainchant.

  The Renaissance

  By 1400 or shortly thereafter, several composers were writing polyphony in a slightly different way. Instead of using a slower bottom voice and faster upper voices, they made all voices equal in rhythmic variety. And instead of using four different chants, they used a single chant which was stated in each of the voices, upon their entrance, and the developed differently from one voice to the next. This led to a more unified sounding work, and gave rise to a number of contrapuntal forms, such as the Canon , the Canzon , and the Fugue .

  Most of the development during this period was made in Italy. This is only natural as the Catholic church was the dominant force during this period, and was headquartered in Rome. Many of the best musicians wrote masses and other works for the church; nearly all of these works are in Latin, as this was the language used for services at the time. However, with the Reformation and rise of Protestantism in the latter half of the 16th Century, the nature of music had to change.

  The Baroque Period

  One of the major changes in daily life around 1600 was the switch from the Catholic church to various Protestant religion4. The result of this change was that the language of the services switched from Latin to German. Because most people had not spoken Latin, the masses could be as ornate as the composer desired. But if the language was understandable by the majority of the people, the music should be simple enough that they could understand the words. As a result, the Catholic Latin mass was no longer needed, but new German services were. New hymns were written to provide music for these services. These were primarily homophonic in nature, contrasting with the polyphony that continued in instrumental and Latin works.

  每一篇文章均有其主要观点或中心主题。典型的围绕文章主要观点的问题大多是:在这篇文章中作者的主要目的是什么?这篇文章主要涉及什么问题?这篇文章主要建议是什么?这篇文章总体上想要回答什么问题等。读完每一篇素材,我们都要针对文章想想这几个问题。

  

主站蜘蛛池模板: 中文字幕av一区中文字幕天堂 | 国产高清一区二区三区四区 | 中文字幕网伦射乱中文 | 青青青视频免费线看 视频 青青青视频在线 | 内射人妻少妇无码一本一道 | a色视频| 久久夜色精品国产噜噜麻豆 | 黑人上司粗大拔不出来电影 | 亚洲最大在线视频 | 成人免费看片又大又黄 | 在线观看亚洲精品国产 | 国产亚洲精品一区二区三区 | 精品亚洲欧美无人区乱码 | 国产精品三级视频 | 第一福利社区1024 | 国产亚洲欧美在线视频 | 中文字幕不卡乱偷在线观看 | 久久99九九精品免费 | 成人自拍偷拍视频 | 久久精品8| 色综合欧美色综合七久久 | 国产精品成人久久久久久久 | 免费观看黄色大片 | 自拍欧美 | 99久久精品免费观看区一 | 中文字幕日本久久2019 | 激情欧美一区二区三区 | 日韩视频中文字幕 | 亚洲精品美女久久久久 | 综合一区自拍亚洲综合图区 | 老师脱了内裤让我爽了一夜 | 久久久www成人免费精品 | 亚洲欧美日韩国产精品一区二区 | 国产精品亚洲综合一区 | 日韩精品专区在线影院重磅 | 18禁止午夜福利体验区 | 天天影院色 | 欧美一区二区三区网站 | 欧美成人免费全部观看在线看 | 在线观看偷拍视频一区 | 一级a性色生活片久久毛片 一级a性色生活片毛片 |